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Ulla Viotti – Sweden
Edith Friebel-Legler – Germany
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Yves de Block – Netherlands
Nicolae Moldovan – Romania
Michaela Kloeckner – Australia
Peter Beard – UK
CERAMICS & TRAVEL
Black Beauties with Golden Leaves – Tineke van Gils – China
ONGGI – Yoon-Kyung Lee and Dieter Jacobs – Korea
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Stoves and stove tiles in Saxony – Rainer G. Richter – History
EXHIBITIONS / EVENTS
Art meets Technology – Selb – Germany
A painter’s playful approach to ceramics – Middelfart – Denmark
KNOWLEDGE & SKILLS
CRYSTAL GLAZES – II – Developing skills
ARTIST JOURNAL
Matsumoto Hideo und Mikiko Tomita – Ting-Ju Shao
IN STUDIO
Velimir Vukicevic – Evelyne Schoenmann – Interview / Developing Skills
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Ulla Viotti – Sweden, Edith Friebel-Legler – Germany, Nero / Alessandro Neretti – Italy, Gitta Radtke – Germany, Yves de Block – Netherlands, Nicolae Moldovan – Romania, Michaela Kloeckner – Australia, Peter Beard – UK
Ulla Viotti
EXHIBITIONS
Art meets Technology – Selb – Germany – A painter’s playful approach to ceramics – Middelfart – Denmark
Dana Saéz, Vase , ©D. Saez, photo: Andreas Gießler. Produced by WZR ceramic solutions GmbH by the binder jetting process
Mikiko Tomita
Velimir Vukicevic
DATES
Dates and Exhibitions from Amsterdam to Winzer
Exhibitions: Art meets Technology – Selb – Germany, A painter’s playful approach to ceramics – Middelfart – Denmark
Ceramics & Travel: ONGGI – Yoon-Kyung Lee and Dieter Jacobs – Korea
Artist-Journal: Matsumoto Hideo und Mikiko Tomita
In Studio: Velimir Vukicevic – Evelyne Schoenmann[/rs_section_title]
The sculpture is six metres wide and with walls two and a half meters high. Impressive dimensions, but on a human scale. Here the visitors are invited to wander through the meadow, towards the large sculpture with the sea in the background and onwards to the narrow entrance. Well through the eye of the needle you are surrounded by books and shelves made up by handcrafted black bricks. The names of well-known authors with their roots in the southern region are embossed onto the spine of the books.
(Sune Nordgren)[/rs_section_text_block]
Ulla Viotti
Order easily on 02426-94 80 68 or by email on bestellungen@neue-keramik.de
[/rs_promo_box]A raku workshop with friends, Professor Ralf Busz and painter Karla Schoppe turned into a new creative adventure for me. It was fascinating to extract a form with my hands from the soft medium of clay and to see the impression of my fingers on it. Since the beginning of this journey, it was the figural that interested me most, and I have always focussed on freestanding sculptures. Although my choice of medium has changed, the fascination inherent in sculpture impacts the expression of my sculptures.
For me, considering the wrapping of body forms from a different point of view is another way of experiencing the exploration of the human figure. At the same time, the experience gathered in my professional past and my feel for the clothed figure as integral elements also have some influence. [/rs_section_text_block]
Edith Friebel-Legler
(Lorenzo Madaro )[/rs_section_text_block]
Nero/Alessandro Neretti
Most probably, you would give it wide berth, but ceramist Michaela Kloeckner, originally from Bavaria, Germany, studies it with great interest. To understand her motivation, it is necessary to know something about her past.
Michaela grew up in the picture book landscape of Oberammergau in the Bavarian Alps. In her childhood, she hiked the alpine landscape with her family and swam in the crystal clear, ice-cold mountain lakes. Her love of travel propelled her into the wide world, and exactly forty years ago Australia became her final destination, and the famous Bondi beach in Sydney as well as Australia’s beautiful coastal landscape were to become her lifelong love.
In 1981, she moved to the Gold Coast in Queensland and began her training as a production potter at Lyre Bird Ridge Pottery in Springbrook under master craftsman Errol Barnes. In her apprenticeship, a burning passion for pottery ignited, which still burns today. She spends her leisure time on the beach, and at the tender age of 45 she learned to surf. Henceforth, every free moment, summer or winter, was spent on the beach and in the sea. In 2004, she won the Gold Coast Design Award with her colourful hand painted cups and plates, inspired by the surf.[/rs_section_text_block]
Michaela Kloeckner
This remarkable exploration of modern production processes proceeded from a competition organised in 2018 by the Keramion in Fechen and the company WZR Ceramic Solutions GmbH in Rheinbach. Artists, ceramists and designers were invited to create ceramic art from a 3D printer. The designs were implemented at WZR in Rheinbach via the additive production process.
It was this combination of art, design and modern technology that came into play in the exhibition that ultimately persuaded the Porzellanikon to take the show over. “We show not only the history of porcelain but also see ourselves as a museum that must always keep an alert eye on new developments in production, design and technology”, explains director Anna Dziwetzki.
Exhibition runs until 24 January 2021
Porzellanikon
Staatliches Museum für Porzellan, Selb[/rs_section_text_block]
Oliver Pietern, Permutation 043 by MONOCHROMEandMINIMAL
© O.Pietern, photo: Andreas Gießler. Produced by WZR ceramic solutions GmbH by the binder jetting process
The exhibition is the result of a donation to CLAY Museum of Ceramic Art from the artist’s widow, Sidsel Ramson. The donation consists of 36 unique ceramic works made by Carl-Henning Pedersen at the renowned Danish design company, The Royal Copenhagen Porcelain Manufactory, during the 1990s.
At that time, Carl-Henning Pedersen had already worked with large scale ceramics. In 1964 he was asked to decorate a 1,000 square-metre unbroken yellow brick wall, the inside courtyard of the round shirt factory, Angli, in Herning.
This article is based on the articles “Wrestling with the Clay” by curator Christina Rauh Oxbøll, CLAY Museum of Ceramic Art Denmark and “Visions by the Metre” by Lotte Korshøj, director of the Carl-Henning Pedersen & Else Alfelt’s Museum, published in the book “Carl-Henning Pedersen – Images in Clay”, 2020.
(Henny Husum)[/rs_section_text_block]
A few of Carl-Henning Pedersen’s paintings are hand picked to accompany his ceramic works at the exhibition at CLAY. photo: Jacob Friis-Holm Nielsen
Onggi are still in use in Korean households. Wherever you look in a Korean house, you can see onggi. In the kitchen, the front garden, the larder, even in the stables on a farm.
Onggi have been discovered that can be proved to have been in use for at least nine generations. There even used to be a small onggi placed on the shelf of a “maru”, in which freshly harvested grains were kept for the house spirit. A maru is an open central room in a traditional house in which the family meets, especially in summer. Today, every traditional house might be described as an onggi museum.
Special features of the onggi in the household
Onggi were present everywhere in large numbers as utility ceramics. This is why onggi never used to be considered art objects, in contrast to the famous celadons and porcelain, although onggi have long been present in Korean culture and radiate a simple beauty.
(Yoon-Kyung Lee – Dieter Jacobs)[/rs_section_text_block]
Onggi with sauces and pickled vegetables
Matsumoto is the honorary professor at Kyoto Seika University, he was born in Kyoto in 1951. Matsumoto works on richly textured clay slabs, each with its own patterns, almost as if they are hand-painted, to create the very unique structure form.
Due to being born in a temple, Matsumoto has been engaging with the philosophy of Japanese gardening in his work since the earlier years. The gigantic and complex structure of his works is constructed on “expanding surfaces” and “enriching layers.”
Tomita Mikiko (Japan)
In the 2002 joint exhibition of the younger Japanese and Korean artists at the Museum of Modern Art, Shiga, the then 30-year-old Mikiko Tomita (born 1972 in Osaka, Japan) exhibited two works. In an age when computer technology was not so prevalent, her decorative details and technical ingenuity are rarely seen and extremely impressive.
(Ting-Ju SHAO) [/rs_section_text_block]
Matsumoto Hideo
Tomita Mikiko
As a young man I was attracted to different disciplines. Art was one of them. I was surprised when I passed the extremely difficult entrance exam. My score was very high, and this exam is a prerequisite for enrolling at The Academy of Applied Arts in Belgrade, Serbia.
I quickly realized it was the right choice for me. I enjoyed learning along with my peers during 5 years of undergraduate studies and later, 2 years of specialization as a graduate student. My father was also ceramic artist and his support was significant.
(Evelyne Schoenmann)[/rs_section_text_block]
Velimir Vukicevic